The Rough Cut

Yeah. I’m really starting to feel the whole editing process. I have been laying awake the last few nights thinking about cuts and score and timing. All in all, working with Dayna has been very relaxed. When sequences just vanished into cyber-oblivion and some things had to be started anew we’d call it a day and start again, fresh. I am satisfied with the rough cut. I know its potential and all it needs is a bit more finesse from an experienced computer/editor/person who doesn’t mind a gazillion friggin’ files all over the place. I’ve found that I really care for PK beyond the scope of this project and I really want to be true to him and his art and really capture that point in his life when everything suddenly changed. It’s coming along and I won’t quit.

Cinematography Notes, 2

 

We laughed when PK’s wife began to ask questions, as it was a story even she had never heard before. There were a lot of cute moments between PK and his wife, banter back and fourth as they recalled moments from their past – the way the met, how they fell in love, her pride for him, his love for her. I’m a sucker for a good love story and there were a few different “Awww” moments. Having not heard all of the audio that we can use though, I am nervous we may have lost parts of the story. I would rather have more audio than we can use, then to lack something important that would help Stella to more effectively tell the story. Then again, too much stuff and poor Dayna will be spending the rest of her life editing the footage into something manageable. We have been brainstorming different ideas of how to help explain PK’s transformation into a blues man. I thought of the idea of looking at the footage we have of PK’s dog. He has 2, an older small chihuahua and a larger rescue dog. I immediately thought of the idea of teaching an old dog new tricks. It just seemed like a fun metaphor for change.

I have slowly become a blues fan over the years. One of my first experiences of blues was years ago running sound at my high school for a show with Shirley King, daughter of B.B. King. In college the first time around, I used to love listening to “Blues Before Sunrise” on WSIU-Carbondale. After very late nights of closing out the bar I was working at, I would turn on the radio and just listen to the show on my commute home and instantly hear music sometimes dating back nearly a century. Interestingly, PK plays a different style of blues than what is typically considered the blues. His wife coined the term “Acoustic Jump Blues,” which actually makes sense when you listen to the difference between what is considered blues and jump blues which dates back to big band and swing of the 40’s. Still, after hanging out with PK, Carol, and their dogs for the afternoon, I almost see an irony in PK playing the blues. After adversity and struggles, triumph and failures, he is one of the most pleasant and optimistic gentlemen I’ve ever had the pleasure of hearing stories from.

Cinematography Notes, 1

It was a slightly disappointing week for production. We shot close to 3 hours of interview footage with PK and his wife in their home. Unfortunately, I did not bring headphones with to monitor the recorded audio of the cameras. I watched and balanced the sound according to the VU meters in the camera, but as we found out this week, the audio was a mess. Between bad cables from the cage, a bad audio jack on one of the cameras, I am not sure of just how much usable interview footage audio we have.

We ran a setup consisting of 1 stationary camera on a tripod with a boom mic attached. The other camera was what I shot our hand held footage on, focusing on tight closeups and reaction shots. As Stella and I heard more of PK’s transformational story, we started to learn just what direction the story was going to take. As we watched PK’s interaction with his wife, his dogs, and photos from his past, we saw his story unfolding before our eyes. PK relayed one story to us of a guitar book he used to carry around, giving us a starting point of the concept of the “Ghost of Jimmy Reed.”

Editing, Day 1

Stella and I (Dayna) are sifting through some of the footage in the editing room today. ”The vision” is turning into reality! 

The Interview

Last Friday, David, Dayna and I went to the home of PK and Carol. We were welcomed in by Carol and well-received by the young lab-pit mix (the older Chihuahua, not so much…) After getting settled in, we had a fluid and relaxed conversation that delved into PK’s past, present, and future. It was delightful! They entrusted me with some valuable memorabilia, some of which I have posted and some of which I’m keeping locked away for our final edit. Sound-wise, we had problems with the boom mic (lots of static) BUT, I love the Handheld ZOOM recorder! It’s a great backup.

- The Gutter People in Europe; contributed by Mr. and Mrs. PK Dwyer

Photography by Stella Maria Perry

 2/18/2011

Dayna on set

Dayna on set

Stella Perry, Director. 

David Bass, Cinematography. 

Dayna Rajha, Blog & Editing. 

We’re UNM Film Students putting together a short documentary on musician PK Dwyer and his “conversion” to the Blues. It all started when Jimmy Reed came to him in a dream one night…

Photography by Dayna Rajha

Photography by Dayna Rajha

Photography by Dayna Rajha

[Flash 9 is required to listen to audio.]

“This is a song PK can no longer play due to his arthritis …  Keep On Walkin’ was the theme song for Seattle’s ”Real Change Television Show” 

 [Real Change TV was a public access show that focused on helping Seattle’s homeless population

and was produced in conjunction with the “Real Change” newspaper …  the first paper of its kind, Real Change is written, printed and sold entirely by folks who need a hand up.”

- From the desk of Mrs. D

Keep on Walkin’ is off of the Blues Guy Now CD


PK's Facebook

Filming on 2/15/2011

So, David and I (Stella) met at about noon-ish on Tuesday for a practice run. David went hand held and we got some nice, warm shots of PK’s performance. Upon review of the footage, I found that there was some static fuzz on the first 20 minutes of tape.

$*@%!!!!

BUT, I hope to have double sound coverage for our shoot tomorrow. It’s going to be a great afternoon as we will get to meet the Mrs. and his dogs with our in-house interviews. Zip e de do da!